Horn Players Audition Handbook: For French Horn

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There is also a good chance they will get music scholarships for college. Along with these achievements comes responsibility though, for if the player is to continue developing, practice and involvement with the horn and the horn world must become a priority. It's time to really get serious. A basic routine should be developed that includes technical exercises addressing everything the player has to do.

French Horn Music: + Pieces, Sorted by Difficulty! - deothincotabso.ml

It should include high and low range, loud and soft dynamics, scales and arpeggios, various articulations and slurs, lip trills, and multiple tonguing. Problem areas should no longer be avoided. During Level 4, the player should: 1 develop range to at least 3 octaves, and know chromatic fingerings throughout that range; 2 know all major and minor scales and arpeggios; 3 begin using lip trills, double and triple tonguing, transposition, and bass clef old and new notation whenever needed; 4 become familiar with standard orchestral excerpts; 5 become familiar with the technique of the natural horn and understand the harmonic series; 6 join the International Horn Society IHS , if not already a member; 7 begin building a library of recordings of fine players, and become familiar with names and styles of great players of the past and present.

If at a conservatory or university, the student should select the school itself based on the strengths of that teacher. In choosing a teacher, there are many important questions to consider: Does this teacher help me play better? Can this teacher help me overcome all of my weaknesses on the instrument? Is this teacher open to many ideas and styles of playing, or is there only one way to do things correctly? Do I respect this teacher as a person as well as what he or she has accomplished professionally? Does this teacher have the necessary experience, wisdom, and contacts to guide me towards the goals that I want to achieve?

Does this teacher inspire me to be the best that I can be? Continue developing and refining the practice routine to achieve ease in all areas of playing. Not only is it important for maintaining the abilities that we have achieved, but one of the best ways to fix fundamental problems is in basic exercises -- musical calisthenics -- some of which we might have learned at Level 1 or 2. During Level 5, the player should: 1 develop range to four octaves with consistent tone at all dynamics throughout the range; 2 become proficient in sightreading, and be able to transpose and read different clefs at sight; 3 be fluent with lip trills, hand stopping, multiple tonguing, and flutter tongue, and be able to use these techniques easily; 4 have an understanding of music theory and be able to analyze different musical forms; 5 study music history and understand different periods and styles and be able to perform them appropriately.

If performance is the goal, then practice is the way to achieve it. Major orchestras and other fine professional ensembles are looking only for players of exceptional ability, ones who can display these important qualities: total mastery of technique; the ability to play all styles of music expressively and appropriately; the ability to read and transpose at sight anything from the standard repertoire; performance experience; a broad knowledge of repertoire; a high level of professionalism and dedication; the ability to work with other people.

If a college teaching position is your goal, the necessary qualities are no less important, but take on a slightly different focus: exceptional playing ability and performance experience; masters or doctoral degree or equivalent in professional experience many schools require the degrees regardless of experience ; teaching experience; broad knowledge of pedagogical methods; broad knowledge of all the repertoire for horn; a high level of professionalism and dedication; the ability to work with other people; administrative skills.

The music business is highly competitive and job openings frequently have hundreds of applicants. To win the position of your dreams requires initiative, diligence, hard work, and a little bit of luck. So go practice your horn, and good luck! Read Free For 30 Days. Entertainment Pop Culture. A Horn Player's Study Guide. Flag for inappropriate content. Related titles. Carousel Previous Carousel Next. Jump to Page. Search inside document. Candice Smith. Sara Prandin. David Loh. Brad Gassner. Sandro Satanassi.

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